Coverart for item
The Resource The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films, Ron Briley

The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films, Ron Briley

Label
The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films
Title
The ambivalent legacy of Elia Kazan
Title remainder
the politics of the post-HUAC films
Statement of responsibility
Ron Briley
Creator
Author
Subject
Language
eng
Member of
Cataloging source
DLC
http://library.link/vocab/creatorDate
1949-
http://library.link/vocab/creatorName
Briley, Ron
Dewey number
791.4302/33092
Index
index present
LC call number
PN1998.3.K39
LC item number
B75 2017
Literary form
non fiction
Nature of contents
bibliography
Series statement
Film and history
http://library.link/vocab/subjectName
  • Kazan, Elia
  • Motion picture producers and directors
  • Motion pictures
  • Communism and motion pictures
Label
The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films, Ron Briley
Instantiates
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction: the post-HUAC testimony films -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976)
Dimensions
24 cm.
Extent
xxxiv, 241 pages
Isbn
9781442271678
Lccn
2016010652
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other control number
40026642435
System control number
  • ocn964878424
  • (OCoLC)964878424
Label
The ambivalent legacy of Elia Kazan : the politics of the post-HUAC films, Ron Briley
Publication
Bibliography note
Includes bibliographical references and index
Carrier category
volume
Carrier category code
  • nc
Carrier MARC source
rdacarrier
Content category
text
Content type code
  • txt
Content type MARC source
rdacontent
Contents
Introduction: the post-HUAC testimony films -- Viva Zapata! (1952) and Cold War liberalism -- Kazan and the anticommunist film genre: Man on a tightrope (1953) -- The ambivalence of informing: On the waterfront (1954) -- Father and sons and the cost of pursuing the American Dream: East of Eden (1955) -- Sexuality and the new south: Baby doll (1956) -- A return to progressive principles and the shape of things to come: A face in the crowd (1957) -- Looking backward and the cost of progress: Wild river (1960) -- Anticipating the youth rebellion: Splendor in the grass (1960) -- The Anatolian smile and the immigrant experience: America America (1963) -- Rebelling against the arranged life: The arrangement (1969) -- The final films: The visitors (1971) and The last tycoon (1976)
Dimensions
24 cm.
Extent
xxxiv, 241 pages
Isbn
9781442271678
Lccn
2016010652
Media category
unmediated
Media MARC source
rdamedia
Media type code
  • n
Other control number
40026642435
System control number
  • ocn964878424
  • (OCoLC)964878424

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